Document Type
Article
Abstract
Early Irish literature of the ninth through thirteenth centuries encodes gendered assumptions about women’s emotion through narratives in which grief, sorrow, and shame repeatedly lead to female death. Focusing on the thirteenth-century hagiographic text Tales of the Elders of Ireland, feminist standpoint theory is applied to reveal how male-dominated authorship shapes literary portrayals of women as emotionally excessive, dependent on men, and narratively expendable once those men are lost. Situated within the cultural tradition of female lamentation or caoineadh, these portrayals show how women’s ritual roles as mourners were mythologized and reworked into literary mechanisms that reinforce patriarchal authority. Within this tradition, women’s grief is repeatedly framed as fatal and morally corrective, functioning as a narrative punishment that upholds patriarchal expectations. As a counterpoint to this dominant pattern, the ninth-century poem “The Lament of the Old Woman of Beare” is introduced as an example of a nuanced and authentic representation of female lamentation, in which grief is interior, reflective, and survivable rather than excessive and male-dependent. Ultimately female mourning and lamentation are vital practices in Ireland, but as this paper discusses, were misconstrued by the male view as feminine weakness rather than recognized as meaningful and communal expressions of loss.
Recommended Citation
Van Wey, Catherine
(2026)
"When Women Weep: The Gendered Politics of Lamenting and Death in Early Irish Literature,"
Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal: Vol. 13:
Iss.
1, Article 6.
DOI: https://doi.org/10.61366/2576-2176.1172
Available at:
https://digitalcommons.morris.umn.edu/horizons/vol13/iss1/6
Primo Type
Article